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	<title>High Visibility / On Location in Rural America and Indian Country</title>
	<link>https://inhighvisibility.org</link>
	<description>High Visibility / On Location in Rural America and Indian Country</description>
	<pubDate>Sun, 28 Feb 2021 21:46:17 +0000</pubDate>
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	<item>
		<title>Exhibition Home</title>
				
		<link>https://inhighvisibility.org/Exhibition-Home</link>

		<pubDate>Sat, 06 Feb 2021 13:48:28 +0000</pubDate>

		<dc:creator>High Visibility / On Location in Rural America and Indian Country</dc:creator>

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		<description>The Exhibition:
Plains Art Museum, through May 30, 2021


	A multi-year project in creation that will result in a two-gallery exhibition and several programs, High Visibility: On Location in Rural America and Indian Country is diverse in content and media. Visitors will engage with installations, performance works, interdisciplinary work, alongside traditional 2 and 3-dimensional pieces chosen to reflect the myriad dialogues of perceptions, realities, and issues of rural life, as well as the social, cultural, and historical conditions which shape their expression. 
This exhibition presents a diverse range of artworks, practices, and histories from rural America and Native Nations where rural location is sincerely central to the artist’s creative practice, with a primary but not exclusive focus on the Plains region. National and Regional multi-disciplinary contemporary artists include M12, Raven Chacon, Lisa Bergh and Andrew Nordin, Erika Nelson, Jason Vaughn, Aaron Spangler, Cannupa Hanska Luger, and Athena LaTocha.
	High Visibility&#38;nbsp;was collectively curated by Matthew Fluharty of Art of the Rural and the Plains Art Museum staff: Andrew J. Maus, Director and CEO; Netha Cloeter, Director of Education &#38;amp; Social Engagement; Tasha Kubesh, Curator of Exhibitions and Collections; and Joe Williams, Director of Community Education &#38;amp; Director of Native American Programs.
Generous support for this exhibition is provided by The Andy Warhol Foundation for the Visual Arts, with continuing research and projects supported through its Curatorial Fellowship support of Matthew Fluharty. This project is made possible in part by an award from the National Endowment for the Arts.

Director’s Welcome, Andrew J. Maus

Introduction, Matthew Fluharty

For further information on this exhibition, please visit:https://plainsart.org/




Artists included in the exhibition:&#60;img width="1056" height="1409" width_o="1056" height_o="1409" data-src="https://freight.cargo.site/t/original/i/7ac5c749cfb099ce6e0d93950d5e35569e454eb0a1a8d5366a91f46d27298bf5/Screen-Shot-2021-02-07-at-8.06.13-AM.png" data-mid="98067846" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/7ac5c749cfb099ce6e0d93950d5e35569e454eb0a1a8d5366a91f46d27298bf5/Screen-Shot-2021-02-07-at-8.06.13-AM.png" /&#62;Joseph J. Allen
After Contact Sheet #7, 2019



&#60;img width="1624" height="922" width_o="1624" height_o="922" data-src="https://freight.cargo.site/t/original/i/1011191aa4eedb83dc73ccd7c8ea3c43a0a21fdae6ef883d5aa39e248355cffa/Screen-Shot-2021-02-07-at-8.18.06-AM.png" data-mid="98068762" border="0"  src="https://freight.cargo.site/w/1000/i/1011191aa4eedb83dc73ccd7c8ea3c43a0a21fdae6ef883d5aa39e248355cffa/Screen-Shot-2021-02-07-at-8.18.06-AM.png" /&#62;
Meghan Duda
One Mississippi [001], 2015 &#38;amp; Two Mississippi [014], 2020


&#60;img width="961" height="589" width_o="961" height_o="589" data-src="https://freight.cargo.site/t/original/i/b828594c837e49fb69b24dccab2d36a069d20a505e6e796b0e4e13d888494fc8/Screen-Shot-2021-02-07-at-8.24.18-AM.png" data-mid="98068857" border="0" data-scale="95" src="https://freight.cargo.site/w/961/i/b828594c837e49fb69b24dccab2d36a069d20a505e6e796b0e4e13d888494fc8/Screen-Shot-2021-02-07-at-8.24.18-AM.png" /&#62;
Joe HarjoIndian Holding a Weapon (Breath),&#38;nbsp;2019



&#60;img width="992" height="667" width_o="992" height_o="667" data-src="https://freight.cargo.site/t/original/i/165bdd83d582bb6da8e1c2d966b8b8c5363531b8a3b27f6c338546f0bf9a7dc2/Screen-Shot-2021-02-07-at-8.29.56-AM.png" data-mid="98069022" border="0" data-scale="97" src="https://freight.cargo.site/w/992/i/165bdd83d582bb6da8e1c2d966b8b8c5363531b8a3b27f6c338546f0bf9a7dc2/Screen-Shot-2021-02-07-at-8.29.56-AM.png" /&#62;

Sabrina Hornung
Jackalope Valentine, 2016&#38;nbsp;


&#60;img width="1063" height="653" width_o="1063" height_o="653" data-src="https://freight.cargo.site/t/original/i/d4b1f72860f89aadd085948f349492256198654e0261c975178af163996225d2/Screen-Shot-2021-02-07-at-8.47.58-AM.png" data-mid="98070044" border="0"  src="https://freight.cargo.site/w/1000/i/d4b1f72860f89aadd085948f349492256198654e0261c975178af163996225d2/Screen-Shot-2021-02-07-at-8.47.58-AM.png" /&#62;R.J. Kernfrom The Unchosen Ones, ongoing&#38;nbsp;

&#60;img width="1061" height="339" width_o="1061" height_o="339" data-src="https://freight.cargo.site/t/original/i/4f5f4469d6a2b70b792766e31e7675666b27f481a7a3feebeb317f04b535a1e5/Screen-Shot-2021-02-07-at-8.52.56-AM.png" data-mid="98070507" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4f5f4469d6a2b70b792766e31e7675666b27f481a7a3feebeb317f04b535a1e5/Screen-Shot-2021-02-07-at-8.52.56-AM.png" /&#62;Athena LaTochaBuffalo Prairie (Slow Burn), 2019&#38;nbsp;
&#60;img width="1113" height="1763" width_o="1113" height_o="1763" data-src="https://freight.cargo.site/t/original/i/6ed2e3e590bf30bcd30c348c49f25b6fe05f26ecc960329240a5f4b433e6b3d2/Screen-Shot-2021-02-12-at-4.39.42-PM.png" data-mid="98723705" border="0"  src="https://freight.cargo.site/w/1000/i/6ed2e3e590bf30bcd30c348c49f25b6fe05f26ecc960329240a5f4b433e6b3d2/Screen-Shot-2021-02-12-at-4.39.42-PM.png" /&#62;
Marcus Lundfrom Grandmother’s Instructions (for four future directions), 2020&#38;nbsp;
&#60;img width="975" height="862" width_o="975" height_o="862" data-src="https://freight.cargo.site/t/original/i/d2c528ca1739de824a427567d96f7c41bb47dd87d82a8874e21b4ff7f5b9e823/Screen-Shot-2021-02-07-at-9.10.00-AM.png" data-mid="98072371" border="0"  src="https://freight.cargo.site/w/975/i/d2c528ca1739de824a427567d96f7c41bb47dd87d82a8874e21b4ff7f5b9e823/Screen-Shot-2021-02-07-at-9.10.00-AM.png" /&#62;Shanai Matteson,&#38;nbsp;Overburden/Overlook, 2020Sara Pajunen, Mine Songs, 2020&#38;nbsp;

&#60;img width="1123" height="722" width_o="1123" height_o="722" data-src="https://freight.cargo.site/t/original/i/05674f74bb8007a4dfc2055f54bc5a6be6aa260d094bc0c4e2561902f679330a/Screen-Shot-2021-02-19-at-11.44.02-AM.png" data-mid="99477005" border="0"  src="https://freight.cargo.site/w/1000/i/05674f74bb8007a4dfc2055f54bc5a6be6aa260d094bc0c4e2561902f679330a/Screen-Shot-2021-02-19-at-11.44.02-AM.png" /&#62;
M12 Studio
Black Hornet #5 (Crush), 2020


&#60;img width="1675" height="832" width_o="1675" height_o="832" data-src="https://freight.cargo.site/t/original/i/e00d3bc1a8df102d21ad0e3804bc387009940c857a9698727968319b8ca83a94/Screen-Shot-2021-02-07-at-9.24.19-AM.png" data-mid="98074669" border="0"  src="https://freight.cargo.site/w/1000/i/e00d3bc1a8df102d21ad0e3804bc387009940c857a9698727968319b8ca83a94/Screen-Shot-2021-02-07-at-9.24.19-AM.png" /&#62;Rural Aesthetic Initiative: Lisa Bergh and Andrew Nordin 
Stoppage 1 (For Marcel), 2020
&#60;img width="1296" height="1100" width_o="1296" height_o="1100" data-src="https://freight.cargo.site/t/original/i/9e11c56875ad2edc718a0d22cf094cb6300c8db2e1760dca6f6adb50c9bf06cf/Screen-Shot-2021-02-07-at-9.30.17-AM.png" data-mid="98075026" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/9e11c56875ad2edc718a0d22cf094cb6300c8db2e1760dca6f6adb50c9bf06cf/Screen-Shot-2021-02-07-at-9.30.17-AM.png" /&#62;Chris Sauter
Family Oil Deposits: West Anderson Family, 2020
&#60;img width="1546" height="875" width_o="1546" height_o="875" data-src="https://freight.cargo.site/t/original/i/9bd2e14ebac7e7dd969a5e90b68d5da3568e74535c75d829d0027160b1d827b4/Screen-Shot-2021-02-07-at-9.35.52-AM.png" data-mid="98075667" border="0"  src="https://freight.cargo.site/w/1000/i/9bd2e14ebac7e7dd969a5e90b68d5da3568e74535c75d829d0027160b1d827b4/Screen-Shot-2021-02-07-at-9.35.52-AM.png" /&#62;
Spiritual Technologies Project 
still image from A Charge To Keep

&#60;img width="907" height="1199" width_o="907" height_o="1199" data-src="https://freight.cargo.site/t/original/i/24423467ac9c8709fb29bac772cb2e413167fe749ae05f55596bfe1e20a40a58/Screen-Shot-2021-02-07-at-9.40.15-AM.png" data-mid="98076210" border="0" data-scale="71" src="https://freight.cargo.site/w/907/i/24423467ac9c8709fb29bac772cb2e413167fe749ae05f55596bfe1e20a40a58/Screen-Shot-2021-02-07-at-9.40.15-AM.png" /&#62;Xavier TaveraEva Mendez with Portrait of her Father, Crookston, 2017

&#60;img width="1707" height="1002" width_o="1707" height_o="1002" data-src="https://freight.cargo.site/t/original/i/f52f1e768090c3e45a9fc8a7095d81e87780bd13339758a389d1ef53abb816f2/Screen-Shot-2021-02-06-at-4.23.31-PM.png" data-mid="98076385" border="0"  src="https://freight.cargo.site/w/1000/i/f52f1e768090c3e45a9fc8a7095d81e87780bd13339758a389d1ef53abb816f2/Screen-Shot-2021-02-06-at-4.23.31-PM.png" /&#62;Karl Unnasch
Husk, 2020


&#60;img width="1521" height="757" width_o="1521" height_o="757" data-src="https://freight.cargo.site/t/original/i/bab8cff7353bb84854cb81a39888d87f4cd89dcfa4aa61559b22dce3bbbe8991/Screen-Shot-2021-02-07-at-9.47.07-AM.png" data-mid="98076533" border="0"  src="https://freight.cargo.site/w/1000/i/bab8cff7353bb84854cb81a39888d87f4cd89dcfa4aa61559b22dce3bbbe8991/Screen-Shot-2021-02-07-at-9.47.07-AM.png" /&#62;Josh Zeis
Return, 2016

&#60;img width="1326" height="743" width_o="1326" height_o="743" data-src="https://freight.cargo.site/t/original/i/4c5bb5651b2e0cbf923b67e2e9cd9fc95f6bc43e5323468130e783dae0ee89fd/Screen-Shot-2021-02-06-at-4.46.52-PM.png" data-mid="98068170" border="0"  src="https://freight.cargo.site/w/1000/i/4c5bb5651b2e0cbf923b67e2e9cd9fc95f6bc43e5323468130e783dae0ee89fd/Screen-Shot-2021-02-06-at-4.46.52-PM.png" /&#62;
Raven Chacon
American Ledger No. 2, 2019
&#60;img width="938" height="1121" width_o="938" height_o="1121" data-src="https://freight.cargo.site/t/original/i/5f16d8bf17e8304aae5861ed2045177092a625e1f28376d5d04aa859f20519c2/Screen-Shot-2021-02-07-at-8.12.32-AM.png" data-mid="98068367" border="0" data-scale="68" src="https://freight.cargo.site/w/938/i/5f16d8bf17e8304aae5861ed2045177092a625e1f28376d5d04aa859f20519c2/Screen-Shot-2021-02-07-at-8.12.32-AM.png" /&#62;Lillian Colton
Amelia Earhart, 1996

&#60;img width="624" height="1174" width_o="624" height_o="1174" data-src="https://freight.cargo.site/t/original/i/fdaa563dc1711ceca8c69ae33b93a96df5505d1492bd5dfd2307cf215aaadf1f/Screen-Shot-2021-02-07-at-8.21.11-AM.png" data-mid="98068821" border="0" data-scale="72" src="https://freight.cargo.site/w/624/i/fdaa563dc1711ceca8c69ae33b93a96df5505d1492bd5dfd2307cf215aaadf1f/Screen-Shot-2021-02-07-at-8.21.11-AM.png" /&#62;
Bruce EngebretsonAll Water Holy Water, 2018-19


&#60;img width="685" height="927" width_o="685" height_o="927" data-src="https://freight.cargo.site/t/original/i/0ac6c22025b44d93b492d433b7a9681bd29460baede579eb0de2140fef1b5331/Screen-Shot-2021-02-07-at-8.32.32-AM.png" data-mid="98069168" border="0" data-scale="100" src="https://freight.cargo.site/w/685/i/0ac6c22025b44d93b492d433b7a9681bd29460baede579eb0de2140fef1b5331/Screen-Shot-2021-02-07-at-8.32.32-AM.png" /&#62;
Anna JohnsonTwo Sided Woman II, 2020
&#60;img width="994" height="956" width_o="994" height_o="956" data-src="https://freight.cargo.site/t/original/i/1851f44f499f035d833dac281821b7ad8aaceeb703d9a7e09ef865589c7482a0/Screen-Shot-2021-02-07-at-8.59.32-AM.png" data-mid="98071057" border="0" data-scale="86" src="https://freight.cargo.site/w/994/i/1851f44f499f035d833dac281821b7ad8aaceeb703d9a7e09ef865589c7482a0/Screen-Shot-2021-02-07-at-8.59.32-AM.png" /&#62;
Su LegattFinish What You Start (Advice From Minnesota Grandmothers Series), 2016

&#60;img width="1059" height="899" width_o="1059" height_o="899" data-src="https://freight.cargo.site/t/original/i/27e8b55f3580dcf93a68c3bcc56c2378f1b2ba3cd9faaeb32b967ae448a5e710/Screen-Shot-2021-02-07-at-9.06.22-AM.png" data-mid="98071870" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/27e8b55f3580dcf93a68c3bcc56c2378f1b2ba3cd9faaeb32b967ae448a5e710/Screen-Shot-2021-02-07-at-9.06.22-AM.png" /&#62;Cannupa Hanska Lugerstill image from We Live, from the Future Ancestral Technologies project, 2019&#38;nbsp;
&#60;img width="1171" height="1090" width_o="1171" height_o="1090" data-src="https://freight.cargo.site/t/original/i/7f447e88a7479c3dce85fb60b5f6645eac232eb176305a4eac42c87a0cb3cf1b/Screen-Shot-2021-02-07-at-9.14.44-AM.png" data-mid="98072684" border="0"  src="https://freight.cargo.site/w/1000/i/7f447e88a7479c3dce85fb60b5f6645eac232eb176305a4eac42c87a0cb3cf1b/Screen-Shot-2021-02-07-at-9.14.44-AM.png" /&#62;Andrew Messerschmidt 
Agroccult series, 2010-current&#60;img width="1523" height="839" width_o="1523" height_o="839" data-src="https://freight.cargo.site/t/original/i/28b78cf8f906e6091219305c74dbfb5de658985ec04a5d562e85ee57bb63a41a/Screen-Shot-2021-02-07-at-9.22.11-AM.png" data-mid="98074347" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/28b78cf8f906e6091219305c74dbfb5de658985ec04a5d562e85ee57bb63a41a/Screen-Shot-2021-02-07-at-9.22.11-AM.png" /&#62;
Erika Nelson
Gremlin Cache, 1973-2020


&#60;img width="1348" height="1052" width_o="1348" height_o="1052" data-src="https://freight.cargo.site/t/original/i/15f9767edfad89e9aa15dbbe66cdcb4fcacf50d01f7c7e50d4c973744af0f935/Screen-Shot-2021-02-07-at-9.27.53-AM.png" data-mid="98074918" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/15f9767edfad89e9aa15dbbe66cdcb4fcacf50d01f7c7e50d4c973744af0f935/Screen-Shot-2021-02-07-at-9.27.53-AM.png" /&#62;
Fredrick Benedict Scheel
Prairie Road #2, Western North Dakota, 1980

&#60;img width="1879" height="1231" width_o="1879" height_o="1231" data-src="https://freight.cargo.site/t/original/i/2ce012b9176b9f3caf5d05813ceab5406ffb12172627885af389056f375e7890/Screen-Shot-2021-02-07-at-9.31.58-AM.png" data-mid="98075076" border="0"  src="https://freight.cargo.site/w/1000/i/2ce012b9176b9f3caf5d05813ceab5406ffb12172627885af389056f375e7890/Screen-Shot-2021-02-07-at-9.31.58-AM.png" /&#62;Aaron Spangler
Tripod Untitled series, 2018-2020

&#60;img width="1645" height="1134" width_o="1645" height_o="1134" data-src="https://freight.cargo.site/t/original/i/71174121a1232393a1c9fc0da6d61727464c9ea0ef430a93b6fdf7c6490282ce/Screen-Shot-2021-02-07-at-9.38.20-AM.png" data-mid="98075774" border="0"  src="https://freight.cargo.site/w/1000/i/71174121a1232393a1c9fc0da6d61727464c9ea0ef430a93b6fdf7c6490282ce/Screen-Shot-2021-02-07-at-9.38.20-AM.png" /&#62;Jovan C. Speller
In Lottie’s Living Room, 2020

&#60;img width="888" height="890" width_o="888" height_o="890" data-src="https://freight.cargo.site/t/original/i/e936ea73ae60d024d54b9fa9f863528912ffb610c3208037c5b931c053853484/Screen-Shot-2021-02-07-at-9.42.11-AM.png" data-mid="98076325" border="0"  src="https://freight.cargo.site/w/888/i/e936ea73ae60d024d54b9fa9f863528912ffb610c3208037c5b931c053853484/Screen-Shot-2021-02-07-at-9.42.11-AM.png" /&#62;Marty Two Bulls Jr.
Lakota Quarantine Bandana, 2020

&#60;img width="794" height="996" width_o="794" height_o="996" data-src="https://freight.cargo.site/t/original/i/204a8d1160fe574f07dcf89d1bbd6fc5bb05da896df3ffd32b8ecb77db9386d3/Screen-Shot-2021-02-07-at-9.45.29-AM.png" data-mid="98076474" border="0"  src="https://freight.cargo.site/w/794/i/204a8d1160fe574f07dcf89d1bbd6fc5bb05da896df3ffd32b8ecb77db9386d3/Screen-Shot-2021-02-07-at-9.45.29-AM.png" /&#62;
Jason VaughnWaupun, WI, 2013</description>
		
	</item>
		
		
	<item>
		<title>Home Top Image</title>
				
		<link>https://inhighvisibility.org/Home-Top-Image</link>

		<pubDate>Sun, 28 Feb 2021 21:46:17 +0000</pubDate>

		<dc:creator>High Visibility / On Location in Rural America and Indian Country</dc:creator>

		<guid isPermaLink="true">https://inhighvisibility.org/Home-Top-Image</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Featured Projects</title>
				
		<link>https://inhighvisibility.org/Featured-Projects</link>

		<pubDate>Sat, 06 Feb 2021 13:48:25 +0000</pubDate>

		<dc:creator>High Visibility / On Location in Rural America and Indian Country</dc:creator>

		<guid isPermaLink="true">https://inhighvisibility.org/Featured-Projects</guid>

		<description>
	The ExhibitionPlains Art Museum
Through May 30, 2021

&#60;img width="976" height="732" width_o="976" height_o="732" data-src="https://freight.cargo.site/t/original/i/833429ca3ac37466be6430758a899f5bbfef57974f5fc15c32edd1736d8f9311/Screen-Shot-2021-02-06-at-2.51.19-PM.JPG" data-mid="98014868" border="0"  src="https://freight.cargo.site/w/976/i/833429ca3ac37466be6430758a899f5bbfef57974f5fc15c32edd1736d8f9311/Screen-Shot-2021-02-06-at-2.51.19-PM.JPG" /&#62;


PublicationsHigh Visibility Exhibition NewspaperOut Now

&#60;img width="1344" height="1065" width_o="1344" height_o="1065" data-src="https://freight.cargo.site/t/original/i/6ddead33067749800e4737242550d17369c56c66feb06e15fe78872ad0c9b044/Screen-Shot-2021-02-06-at-3.12.11-PM.png" data-mid="98015546" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/6ddead33067749800e4737242550d17369c56c66feb06e15fe78872ad0c9b044/Screen-Shot-2021-02-06-at-3.12.11-PM.png" /&#62;

	The Podcast Series

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1256cb95bf5bc5fe9ef9a0917362302518c533c14c39c5a2e672c443b55a12de/unnamed.jpg" data-mid="98015016" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1256cb95bf5bc5fe9ef9a0917362302518c533c14c39c5a2e672c443b55a12de/unnamed.jpg" /&#62;

Information
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&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1344" height="1065" width_o="1344" height_o="1065" data-src="https://freight.cargo.site/t/original/i/606b26d967ec8a5d43f8a9d4b97e8dfc0c540785a0b36ee121f886295b02f491/Screen-Shot-2021-02-06-at-3.17.42-PM.png" data-mid="98015763" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/606b26d967ec8a5d43f8a9d4b97e8dfc0c540785a0b36ee121f886295b02f491/Screen-Shot-2021-02-06-at-3.17.42-PM.png" /&#62;
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		<title>Text</title>
				
		<link>https://inhighvisibility.org/Text</link>

		<pubDate>Sat, 06 Feb 2021 13:48:26 +0000</pubDate>

		<dc:creator>High Visibility / On Location in Rural America and Indian Country</dc:creator>

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		<description>Image Credits: Jovan C. Speller, In The Thick; Cannupa Hanska Luger, still from We Live, from Future Ancestral Technologies; Sara Pajunen, photograph of Shanai Matteson recording audio for Mine/Not Mine; Jason Vaughn, Cottage Grove, WI; Su Legatt, from Advice from Minnesota Grandmothers</description>
		
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		<title>Old Podcast template</title>
				
		<link>https://inhighvisibility.org/Old-Podcast-template</link>

		<pubDate>Sat, 06 Feb 2021 13:48:29 +0000</pubDate>

		<dc:creator>High Visibility / On Location in Rural America and Indian Country</dc:creator>

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Jovan Speller
Episode 2






&#60;img width="1661" height="1326" width_o="1661" height_o="1326" data-src="https://freight.cargo.site/t/original/i/97cd0d58df28756433a9885ef65b5ec1d902698a016ad730a7b8b4b7503de155/Screen-Shot-2021-02-08-at-8.00.16-AM.png" data-mid="98185286" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/97cd0d58df28756433a9885ef65b5ec1d902698a016ad730a7b8b4b7503de155/Screen-Shot-2021-02-08-at-8.00.16-AM.png" /&#62;














Karl Unnasch
Episode 1




&#60;img width="1645" height="1134" width_o="1645" height_o="1134" data-src="https://freight.cargo.site/t/original/i/d11b326c22be17efc8bd55de9a12b66c2629e9951dc8ccfc9178e1a24c4f5faa/Screen-Shot-2021-02-07-at-9.38.20-AM.png" data-mid="98183779" border="0"  src="https://freight.cargo.site/w/1000/i/d11b326c22be17efc8bd55de9a12b66c2629e9951dc8ccfc9178e1a24c4f5faa/Screen-Shot-2021-02-07-at-9.38.20-AM.png" /&#62;


Su Legatt
Episode 3

</description>
		
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	<item>
		<title>Strange Mankinds</title>
				
		<link>https://inhighvisibility.org/Strange-Mankinds</link>

		<pubDate>Sat, 06 Feb 2021 13:48:30 +0000</pubDate>

		<dc:creator>High Visibility / On Location in Rural America and Indian Country</dc:creator>

		<guid isPermaLink="true">https://inhighvisibility.org/Strange-Mankinds</guid>

		<description>
	M12 Studio:Black Hornet #5 (Crush)&#38;nbsp;

Notes:
podfcast&#38;nbsp;here is an srticle&#38;nbsp;feild school

	&#60;img width="4835" height="3223" width_o="4835" height_o="3223" data-src="https://freight.cargo.site/t/original/i/110cb638b0423cf6b40c61c534f2e4b08b45d44404a7f1778110dc336658415e/2w6ywit8_yk-samuel-zeller.jpg" data-mid="97981993" border="0"  src="https://freight.cargo.site/w/1000/i/110cb638b0423cf6b40c61c534f2e4b08b45d44404a7f1778110dc336658415e/2w6ywit8_yk-samuel-zeller.jpg" /&#62;

The ideologies of the super-tribes exercised absolute power over all individual minds under their sway.In civilized regions the super-tribes and the overgrown natural tribes created an astounding mental tyranny. In relation to his natural tribe, at least if it was small and genuinely civilized, the individual might still behave with intelligence and imagination.Chapter V
Worlds Innumerable; Strange Mankinds



&#60;img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/2c15a20119cb5a59657a8c039dd9988e4f70354f1b16ebcd51e76c82a9f77299/77oxlgwwow0-samuel-zeller.jpg" data-mid="97981992" border="0"  src="https://freight.cargo.site/w/1000/i/2c15a20119cb5a59657a8c039dd9988e4f70354f1b16ebcd51e76c82a9f77299/77oxlgwwow0-samuel-zeller.jpg" /&#62;
2014&#60;img width="4770" height="3180" width_o="4770" height_o="3180" data-src="https://freight.cargo.site/t/original/i/07c6fb5e7d9e9a799de13f08708af9470b03d1346b479a6f7d32fa63c597976f/0kxryh5tak-samuel-zeller.jpg" data-mid="97981995" border="0"  src="https://freight.cargo.site/w/1000/i/07c6fb5e7d9e9a799de13f08708af9470b03d1346b479a6f7d32fa63c597976f/0kxryh5tak-samuel-zeller.jpg" /&#62;
2015
&#60;img width="4718" height="3145" width_o="4718" height_o="3145" data-src="https://freight.cargo.site/t/original/i/9090d589f003fb7964a93872f09b16b727314fe07e51fb3589b6d8de81c9c786/_hdmodhqfqc-samuel-zeller.jpg" data-mid="97981994" border="0"  src="https://freight.cargo.site/w/1000/i/9090d589f003fb7964a93872f09b16b727314fe07e51fb3589b6d8de81c9c786/_hdmodhqfqc-samuel-zeller.jpg" /&#62;
2016



The Diversity of Worlds
(p. 56)When the cosmos wakes, if ever she does, she will find herself not the single beloved of her maker, but merely a little bubble adrift on the boundless and bottomless ocean of being.
 

&#60;img width="4870" height="3247" width_o="4870" height_o="3247" data-src="https://freight.cargo.site/t/original/i/b2e8d310efaf43ef58da605ca0b2729acb4da51e60422c01be6033d76046f150/kczzaboax9y-samuel-zeller.jpg" data-mid="97981996" border="0"  src="https://freight.cargo.site/w/1000/i/b2e8d310efaf43ef58da605ca0b2729acb4da51e60422c01be6033d76046f150/kczzaboax9y-samuel-zeller.jpg" /&#62;
&#60;img width="4718" height="3145" width_o="4718" height_o="3145" data-src="https://freight.cargo.site/t/original/i/9090d589f003fb7964a93872f09b16b727314fe07e51fb3589b6d8de81c9c786/_hdmodhqfqc-samuel-zeller.jpg" data-mid="97981994" border="0"  src="https://freight.cargo.site/w/1000/i/9090d589f003fb7964a93872f09b16b727314fe07e51fb3589b6d8de81c9c786/_hdmodhqfqc-samuel-zeller.jpg" /&#62;
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&#60;img width="4770" height="3180" width_o="4770" height_o="3180" data-src="https://freight.cargo.site/t/original/i/07c6fb5e7d9e9a799de13f08708af9470b03d1346b479a6f7d32fa63c597976f/0kxryh5tak-samuel-zeller.jpg" data-mid="97981995" border="0"  src="https://freight.cargo.site/w/1000/i/07c6fb5e7d9e9a799de13f08708af9470b03d1346b479a6f7d32fa63c597976f/0kxryh5tak-samuel-zeller.jpg" /&#62;
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&#60;img width="4835" height="3223" width_o="4835" height_o="3223" data-src="https://freight.cargo.site/t/original/i/110cb638b0423cf6b40c61c534f2e4b08b45d44404a7f1778110dc336658415e/2w6ywit8_yk-samuel-zeller.jpg" data-mid="97981993" border="0"  src="https://freight.cargo.site/w/1000/i/110cb638b0423cf6b40c61c534f2e4b08b45d44404a7f1778110dc336658415e/2w6ywit8_yk-samuel-zeller.jpg" /&#62;



	
	All this long human story, most passionate and tragic in the living, was but an unimportant, a seemingly barren and negligible effort, lasting only for a few moments in the life of the galaxy.
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